![]() ![]() So Roger had top-down control of the light and the direction of the light. “We will construct the other side of the streets to create the atmosphere in the streets. “That means if we were constructing an apartment, and there were windows in the apartment, you would see on the other side of the window,” Villeneuve said. “On set as we are shooting, very often there are very strong poetic moments that will not happen in front of a green screen, where you are bound by technical. To do so, they built as many sets as they could, and Villeneuve credited the decision for a lot of ideas coming to him and Deakins on set. The duo agreed to ground the film in a physical realm and work with as much practical effects as possible. It was where we found the ‘Blade Runner’ we wanted to make.” So was a strong cinematic creative lab to find the vocabulary of the movie. “It was a very important experience because we had been challenged to fit the movie in a certain budget. “We drew the whole movie together,” Villeneuve said. Villeneuve said “dreaming what the light would look like” with Deakins was his favorite moment of the process. then went to a hotel in Montreal and spent weeks mapping out the entire film with two storyboard artists. Having heard the news, he looked at me with a little smile and said, ‘So, you want to do that?’ And I just said, ‘Would you like to do that with me?’ And he shook my hand - it’s a very Deakins way, like silence big smile - and I knew from then that he was definitely on board.” “Basically, I said yes to ‘Blade Runner’ in the morning, and the very same evening I was having dinner with Roger. As it turns out, that meant Villeneuve and Deakins were hired on the same day. Villeneuve said he “knew that Roger was dreaming to do sci-fi” and was thus eager to bring him onboard as quickly as possible. “But in this movie, I will say, it was more playful because he had more space to experiment than usual, where you have to be bound to reality.” “Blade Runner 2049” Warner Bros “He’s more of a scientist sometimes and it’s so important for him to be precise with how the logic of light works in the shot,” Villeneuve said. Ira Sachs Tells Us Why ‘Passages’ Needed Unrated Sex to Say What Dialogue Could Not ![]()
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